She even enlisted Big Thief drummer James Krivchenia to play on her 2021 re-recording of Red.īut looking beyond the sonics alone, the perspective which Lenker and Big Thief bring to the genre with their lyrics grows even more vital. Their influence is increasingly visible in the upper echelons of singer/songwriter music from eminent indie artists like Phoebe Bridgers, Lucy Dacus, and Bachelor, all the way to megastars like Paramore’s Hayley Williams ( who is a Big Thief fan, and made her folk debut with solo album Flowers For Vases/Descansos last year), and Taylor Swift, whose 2020 albums folklore and evermore are indebted to Big Thief’s atmospheric folk. Their combination of Americana sounds with noise rock, dream pop, and psych has effectively cracked wide open the perception of modern folk, revitalizing a genre that had grown somewhat stale in its mainstream offerings. ![]() Not yet five years on from Capacity’s release, to evaluate Big Thief’s impact in 2022 is to look at the entire shape of indie rock and folk music. and Two Hands they’re now set to release their fifth, the double-LP Dragon New Warm Mountain I Believe In You, tomorrow. It racked up end-of-year accolades and festival appearances, and positioned Big Thief as one of the biggest new names in indie music. The album, unsurprisingly, blew people away. Then, closing the song, the kicker: “There’s a woman inside of me / There’s one inside of you, too / And she don’t always do pretty things”. “There is a meeting in my thighs / Where in thunder and lightning, men are baptized / In their anger and fighting, their deceit and lies,” she claims, over sparse, roomy acoustic guitar. On its opening track, “Pretty Things”, singer/songwriter Adrianne Lenker expertly explores and then tears down all that gender is preconceived to be. ![]() These were some of the first words many of us heard from Big Thief, when they hit the indie-folk scene in 2017 with their breakout sophomore album Capacity. There’s a woman inside of me there’s one inside of you, too.”
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